Skip to product information
1 of 4

The Lost Daughter (The Love and War Series) | eBook

The Lost Daughter (The Love and War Series) | eBook

Regular price £6.99 GBP
Regular price Sale price £6.99 GBP
Sale Sold out
  • Purchase the ebook
  • Receive download link via email
  • Send to your Kindle or other ereader and enjoy!

An unforgettable novel inspired by a shocking piece of history.

A buried secret and a lifetime of guilt born in the dark heart of Nazi Germany

England, 2001. Elizabeth has always suspected her mother harbours a secret from her time as a young woman in Nazi Germany. But her mother, suffering from dementia, is lost to her now.

When Elizabeth stumbles across a Nazi certificate amongst her parent’s paperwork, it forces her to question the very foundations of her 1950s childhood and her first love; a childhood, she now realises, was built on lies.

Elizabeth’s quest to find the truth leads her to Germany where she’s met with a wall of silence. She knows that beyond this wall, is the truth, a truth that exists deep within the dark and twisted soul of Hitler’s Germany.

Germany, 1944. 18-year-old Hannah, beautiful and naive, volunteers to work in a home for evacuated children. But Doctor Heinkel, a loyal Nazi, decrees that there’s a better way for Hannah to serve the Fatherland.

Drawn further into the doctor’s distorted world, Hannah only realises what’s expected of her when it’s too late. Confronted with evil, Hannah is faced with an impossible choice…

Historical fiction with heart and drama.

Part of 
The Love and War Series, ten novels set during the 20th century's darkest years. Can be read in any order.

Prefer paperback?

"Colley has a deft hand for creating a story that is impossible to put down. The plot moves seamlessly from 2001 Britain, back to the immediate post war period, and then to 1943 Nazi Germany. He creates characters that are inadvertently flawed yet highly sympathetic. He introduces the reader to the horrors of Nazi Germany but also to a love story as moving as it is remarkable. He creates a sense of pathos but also hope in human frailty. This book is highly recommended." Historical Novel Society


View full details

Rupert Colley

I write historical fiction and the occasional crime novel.

Historical fiction with heart.

Learn more

FAQs

How long does delivery take?

You'll receive a download link via BookFunnel. Send to preferred e-reader or app and enjoy!

Read the first chapter

PART ONE

Chapter 1
September 2001

And so the moment is almost upon us – the moment I’ve been dreading for weeks, months, perhaps even the last twenty years. I look across the round table at my daughter, my baby, now all grown up and on the threshold of adulthood, talking excitedly about the halls of residence, about the other students she’s already met. ‘The halls have even got a cleaner who comes in twice a week,’ says Tessa, between mouthfuls of noodles.
It’s all a little odd, a bit surreal even. Sitting here in this huge restaurant in Leeds next to Barry, my ex-husband, in this chain restaurant that seems to serve nothing but noodles, every variation you can think of, trying to remain civil for the sake of our daughter. A television installed high on the wall in the corner of the restaurant is showing a football match. I can see Barry trying his best to ignore it while craning his neck when he thinks I’m not looking. I sip my wine, a large glass of red. I sensed Barry’s disapproval as I ordered it but boy, I need it.
‘So when do your lectures start?’ asks Barry. I must’ve told him this already half a dozen times but I hold my tongue. Tessa tells him in unnecessary detail the comings and goings of her first-year timetable. Barry cocks his head to one side listening, trying his best to show he’s interested.
Tessa tries to eat and talk at the same time, everything so quickly, as if she is fighting against a deadline, while I pick at my food. She’s a girl in a hurry, and why shouldn’t she be? Her future beckons. I notice her glance to her right at a table full of boys, good-looking young chaps, all of them, but even a beauty such as my daughter can’t divert them from their interest in the football. On our other side sit an elderly couple, silently hunched up over their bowls, concentrating. The elderly couple aside, I think Barry and I must be the oldest people here. This is a restaurant for youngsters; the place is teeming with them, talking loudly, laughing, enjoying the easy food, the loud music, the garish colours.
Tessa stabs at her noodles. ‘I don’t think I can eat all this.’
‘Don’t talk so much, then.’ Did that sound as curt as I fear?
‘She’s excited, Liz.’
‘Yes, I’m sorry.’ I flash her a smile. ‘Of course you are, darling.’
‘Oh, and the college bar do half-price cocktails all night on a Tuesday.’
‘Careful how you go, though, Tess,’ I say, immediately regretting it.
‘Please, Mum, spare me the last-minute lectures, hey?’ She reaches out for my hand.
‘I’m sorry.’ Her soft fingers rest on the back of my hand.
‘I wish I went to uni,’ says Barry.
‘You never went to university, did you, Mum?’
Why did she say that, I wonder; she knows full well I didn’t. Barry throws me a sideways glance; he knows the matter has always been a little chip on my shoulder. Did I see a trace of a smile on his face? I hope not.
‘My mother... she wasn’t keen,’ I say. ‘It was a different time then, especially where we lived.’
Barry laughs. ‘Oh, come on, Liz, it was hardly the Stone Age.’
We’ve had this conversation before; I will not rise to the bait.
A cheer erupts from the table of boys. They all take to their feet, standing on tiptoe, trying to see the television. They high-five each other and, one by one, return to their seats with smiles on their faces. I see the elderly couple shaking their heads. This is no way to behave in a restaurant. I realise I envy them. They don’t talk, but I can sense their ease with one another, an ease built on forty, fifty years of companionship, of togetherness. Perhaps they’ve just seen off a grandchild to university.
Barry, too, is grinning.
‘Who’s playing?’ asks Tessa.
‘England versus Germany,’ says Barry. ‘Amazingly, it’s two-one to us.’
England v Germany. A cold shiver trembles through me. Those hated words, the memory, oh, so long ago, but vivid still. I was only eleven years old, but no one ever had cheered England on as much as me – and I have no interest in football whatsoever; indeed, I hate it.
Tessa’s phone lights up on the table. ‘Oo,’ she says. ‘That’s Gabbie.’ She reads the text, her fork loaded with noodles poised mid-air. ‘She’s waiting for me. I’d better be going.’ She places her fork on her plate. She pulls on her blouse. ‘How do I look?’
‘Beautiful,’ says Barry with a smile.
He’s right, of course; she does look beautiful, her long eyelashes framing her almond eyes, her Cupid lips, the little upturned nose, the fresh complexion. Too much makeup for my liking but that’s a battle I lost long ago. Still, she is beautiful. She is my daughter, and she is leaving me.
She checks the contents of her handbag, checks her phone again. ‘Well,’ she says with a satisfied sigh, ‘I guess this is it.’
We all rise. Barry offers to walk her back up to the halls.
‘No,’ she says, firmly. ‘You stay finish your lunch. I’ll be fine.’
I smile away my disappointment. ‘If you’re sure, love.’ My eyes are pricking but I mustn’t cry, must not; it’d be unfair on her.
Tessa smiles but there is a flicker of hesitation. This really is it. My baby is leaving. ‘Thanks for driving, Dad.’
The two embrace. ‘Anytime, sweetheart.’
She plants a kiss on his cheek. ‘You need to trim your moustache, Dad,’ she whispers into his ear.
‘Mum.’ She holds her arms out for me. I hug her, my only child, now taller than me, now a woman in her own right. Her arms wrap around me, and I breathe in that familiar smell, lavender and coconut, but more than that, I breathe in her very essence, my only child, my girl.
‘Give me a call tonight, yes?’ I ask.
‘Sure.’
‘Promise?’
She kisses me. ‘Promise.’
‘Good luck, love,’ says Barry with a wink.
Tessa winks back at him. ‘Thanks, Dad.’ She looks at us both, her estranged parents, reunited for the day for her benefit. ‘Thanks for the lunch. Bye bye.’
‘Bye, love,’ says Barry.
‘Goodbye, my darling.’
And with that, Tessa swings around and jauntily walks through the restaurant, checking her phone, and out. I fight the urge to take Barry’s hand. We watch her from inside as she waits at the pedestrian crossing, then crosses the high street bathed in late afternoon sun, and walk briskly up the hill, hugging the shops on her right. We watch as she disappears into the crowds, getting smaller and smaller, but we can still see her, just about. I will her to stop, turn around and come back to me. Don’t leave me, Tessa, don’t go. And then she turns a corner, and she is gone and something inside of me dies.
Barry and I sit back down. I feel so heavy. I finish my wine and immediately want to order another but I can’t face Barry’s sanctimonious telling off. I so hoped she’d find a university within East Anglia, closer to home, so that she could carry on living at home. But no, she was set on this course in this city.
Barry sighs. ‘Twenty years. Gone.’ He clicks his fingers. ‘Just like that.’
The elderly couple at our neighbouring table have paid their bill and are now standing up and gathering their coats and bags. As they make their leave, the woman winks at me, an acknowledgement of some sort.
The boys at the next table cheer and shout again, thumping the air. Barry jumps up, craning his neck. ‘Oh my God, we’ve scored again. It’s three-one! Three-one, Liz – against Germany. Bloody unbelievable.’
‘Yes, Barry. Unbelievable.’
Barry remains on his feet, unable to take his eyes off the screen, while the memory returns to me… Then, as if to reinforce the unwelcome intrusion into my mind, one of the boys, facing the television, throws out his arm and shouts Sieg Heil. My heart runs cold. Barry throws me a worried glance.
‘It’s OK, Liz, ignore it.’
‘It’s not OK, how dare–’
‘No, Liz, not now, not here. Leave it.’
He’s right. I sit on my anger, breathing deeply, trying to calm myself. The boy can be no more than seventeen, a respectable-looking boy, totally unaware of the effect he’s had on me. I must hold myself together. Don’t let it overwhelm you, Liz, I say to myself. I poke my fork at the now cold noodles. ‘I need to go.’
‘What? Now?’ says Barry, who is now standing, watching the football. ‘It’s almost finished. Ten minutes plus injury time. This is the best match–’
‘Please, Barry, I need to get home.’
His eyes flit from me to the television screen and back again. With an exaggerated sigh, he sits back down. ‘OK, perhaps it’s for the best. I’ll get the bill.’

Customer Reviews

Based on 8 reviews
75%
(6)
25%
(2)
0%
(0)
0%
(0)
0%
(0)
K
Kristie
Storyteller Extraordinaire

It has been said that people crave and seek out stories as much as food and water. Rupert Colley has always satisfied my appetite for a great story. His latest novel, The Lost Daughter, is another fulfilling banquet.

L
Lizzie P.
Fascinating story of a woman finding herself

I thoroughly recommend this excellent exploration of - well a whole lot of interesting themes! The Lost Daughter is mostly set in 2001 England and WW2 Germany. We follow Elizabeth as she struggles with her unaffectionate mother-in-a-home, her ex-husband and her daughter leaving for university. She discovers something which leads her to Germany and to rethink/rediscover who she really is. I loved the modern sections and the WW2 sections equally. In WW2 Germany, we follow one young woman - and one young man chosen/forced to take part in the brutal and not much talked about - lebensborn movement - a policy of creating master-race babies. Its a fascinating story, made accessible with sympathetic and realistic characters. There's a lot going on, but not too much and I found myself unwilling to be away from my kindle and desperate to find out if there was some kind of resolution for everyone. A great read for historical fiction and WW2 readers, but also for those who love contemporary relationship/family dramas.

R
Rocky
Couldn’t put this book down!

Kudos to Rupert Colley on The Lost Daughter! This is a very well written book that keeps your interest peaked and sends you back to WW2 so that you feel you are actually there. I can’t recommend this book more! I love Mr. Colley’s style of writing and I will definitely be reading more of his books!

H
Historical Novel Society
Colley has a deft hand for creating a story that is impossible to put down

Colley has a deft hand for creating a story that is impossible to put down. The plot moves seamlessly from 2001 Britain, back to the immediate post war period, and then to 1943 Nazi Germany. He creates characters that are inadvertently flawed yet highly sympathetic. He introduces the reader to the horrors of Nazi Germany but also to a love story as moving as it is remarkable. He creates a sense of pathos but also hope in human frailty. This book is highly recommended.

M
Morris
Compelling and moving historical fiction

The Lost Daughter is a wonderfully moving novel about the Lebensborn programme in Nazi Germany, one of the more bizarre social experiments carried out during that horrific time. Rupert Colley has a particular gift for creating warm and interesting characters that you feel invested in. This book is skilfully plotted with three time periods (the latter years of the war, the 1950s, and the present day) which helps to create a real sense of suspense. Highly recommended.